Video and Sound Production - PROJECT 2

Edita Chew En Thung / 0357357 

Video and Sound Production / Bachelor of Design (Honours) in Creative Media / Taylor's University

Project 1 : Audio Editing Exercises

---

Table of Content

1. INSTRUCTIONS

2. PROCESS

3. FEEDBACK

4. REFLECTION

5. FURTHER READING

---

INSTRUCTIONS

fig 1.0 | Module Information booklet (MIB)

Week 6

1. Production shoot editing

We are to download the footage and audio provided by our producer and edit a draft with synchronised dialogue as we would need it in class next week for colour correction/ colour grading.

Regarding the editing, please do not follow the order of the storyboard; try something interesting.

We are then provided with a video source to auto sync audio.

2. Project 2 Tiktok/Insta video treatment: Complete the Page 6 of storyboard for week 7 discussion.

We will need it for the upcoming Insta/TikTok video shoot, as well as the final project stop-motion shoot. The recommended tripod mentioned above comes with a remote control, which is very handy for shooting videos solo and for stop-motion.

PROCESS

WEEK 7 QUIZ

fig 1.2 | QUIZ

Week 7 practical (materials)

When it comes to colouring digital video footage, there are three main steps: setting up a picture profile, colour correcting, and colour grading. Colour correction is all about making the footage look as natural and realistic as possible, while colour grading is a creative process that adds mood and emotion to the shots.

The key terms you’ll hear in colour grading software and camera settings are hue, saturation, and brightness (HSB). Hue is the actual colour, saturation is how intense that colour is, and brightness is how light or dark the colour appears. Using HSB colour theory, filmmakers can craft the mood and colour schemes for their videos.

Saturation affects whether colours appear vibrant or dull, based on the amount of grey mixed in. Adding pure white or black changes the brightness, making the colours lighter or darker.

PROJECT 2A

PROCESS for PRODUCTION SHOOT (EEAAO)

For colour correction, we are to apply all colour grading mentioned below:

Teal & Orange

Bluish (cold)

Greenish (cold)

Brownish (warm)

Desaturation, 50%-70%

B & W, High Contrast

fig 1.3 | orange and teal

fig 1.4 | blue (cold)

fig 1.5 | green (cold)

fig 1.6 | brownish (warm)

fig 1.7 | desaturated 50%-70% (50%)

fig 1.8 | B&W high contrast

COLOUR GRADING (orange and teal)

fig 1.9 

I decided to go with a more cinematic feel so I went on and colour graded all the scenes to orangey and teal colours.

STABILISING

fig 2.0

The video was too shaky so I added a stabiliser effect to handle the shake. ButI could not speed up the video and have a stabilising element at once, so I had to open a new file to make one with a stabiliser and export it into this file to apply the speed up.

TRANSITIONS (dip)

fig 2.1

Some scenes have dips as the transition because I believe it was more natural to add that into some transitions.

SPEED UPS

fig 2.2

I sped up some scenes as it was to make the fighting scenes more lively and smooth. Then, a punching sound effect was added to make it more whole rather than no sounds to convey a fight scene.

MASKING (distortion)

fig 2.3

I started to make the masking to make it appear as if she's fading away as she's exhausted out of her own body. 

Lastly, a simple background music was added to make it less boring to the video.

LINK for submission: HERE.

Link for submission is in Google drive accessible only by the lecturer.

PROJECT 2B

INSTAGRAM REEL

PROCESS

FEEDBACK

N/A

REFLECTION

During this module, I had the opportunity to develop a range of skills that are crucial for video and sound production. 

Throughout the course, I have been able to demonstrate a creative use of software tools to enhance my projects. For instance, using Adobe Premiere Pro and Audacity, I was able to edit video clips and mix audio tracks effectively, which helped me communicate my design concepts clearly. These skills are vital for promoting and presenting ideas in a visually and audibly appealing manner.

I utilised various ideation to assess and refine my work. By creating prototypes and gathering feedback, I could evaluate the strengths and weaknesses of my projects. This iterative process was essential for improving my final products and ensuring they met the desired outcomes. Critical thinking enabled me to synthesise feedback and make informed decisions for further development.

The module required a level of flexibility, especially when managing multiple demands and adapting to new ideas and approaches. There were times when I had to quickly adjust my plans based on unexpected changes or feedback from peers and lecturers. This adaptability was crucial in maintaining the quality and coherence of my work.

Overall, the module has significantly opened my eyes to these technical abilities, critical thinking, and personal adaptability, which are all essential skills in the field of video and sound production.

FURTHER READING

Colour Correction Handbook: Professional Techniques for Video and Cinema" by Alexis Van Hurkman.

The "Colour Correction Handbook" provides a comprehensive guide to the art and science of colour grading for both video and cinema. It covers the fundamental principles of colour theory, offering insights into how colour impacts storytelling and viewer perception. The book is divided into practical chapters that include:

• Introduction to Colour Grading: Basic concepts and tools used in colour correction.
• Colour Theory: Understanding the impact of colour on mood, tone, and narrative.
• Primary Colour Correction: Techniques for correcting colour balance and exposure.
• Secondary Colour Correction: Methods for refining specific colours and enhancing details.
• Grading Workflow: Efficient workflows and best practices for professional colour grading.
• Creative Grading Techniques: Tips for developing unique looks and styles.
• Case Studies: Real-world examples and breakdowns of colour grading projects.

The book is richly illustrated with before-and-after examples, making it easier to grasp complex concepts. It also delves into the technical aspects of colour correction software, helping readers to effectively use tools like DaVinci Resolve, Adobe Premiere Pro, and Final Cut Pro.

Key Points

• Mastering both technical and creative aspects of colour grading.
• Understanding how colour grading enhances storytelling.
• Practical exercises and case studies for hands-on learning.
• In-depth look at industry-standard software and workflows.